42/43
Reed with Hugh as their top choice for the role
Two young religious women are drawn into a game of cat-and-mouse in the house of a strange man.. Sophie Thatcher and Chloe East in Heretic, plus more modern women killing the horror game.. Hugh Grant once stated in an interview " ;I'm getting bored of playing obvious roles and being typecast" – writer/directors Scott Beck and Bryan Woods saw this interview and wrote the role of Mr. Mr Reed is stabbed in the neck with a letter opener, which he then pulls out.
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This would cause blood to leak out all over his hand, clothes, the floor…but later in the basement, there’s little evidence of this when near the trapdoor.. Mr. Reed: I promise you, the last thing I wanted to do was find the one true religion – but unfortunately, I did.. The end credits state that no Generative Al was used in the making of the film..
(PRS), Warner Chappell Music Ltd
Just Like a Butterfly (That’s Caught in the Rain)Performed by Ipana TroubadoursWritten by Harry M. Woods (as Harry Woods) and Mort DixonPublished by Callicoon Music (ASCAP), Bienstock Publishing Company obo Redwood Music Ltd. (PRS)Courtesy of Columbia RecordsBy arrangement with Sony Music Entertainment (Canada). I’m not sure what I was expecting from Heretic, but it certainly wasn’t deep theological discourse and intense religious diatribe courtesy of Hugh Grant.
Reed, however, has his own sinister agenda
Not that I have a problem with that: when Grant’s character, Mr. Reed, is challenging the doctrines of organized religion, the film is actually very engaging and frequently funny, the actor putting in a marvelously offbeat performance, Reed frequently making a lot of sense. Of course, this is a horror film, so even though a lot of what Grant’s character says seems logical, the extremes he eventually goes to to prove his point are not at all reasonable.Chloe East and Sophie Thatcher play Mormon missionaries who pays mr. Reed a visit with the hope of converting him to their religion.
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What follows is an intense game of cat and mouse, the missionaries desperately trying to reason with their host while trying to find a way to escape from his home.The film’s strongest scenes are those in the first half of the film, in which Reed disquietingly questions the girls’ beliefs while positing plausible alternatives – Grant is both affable and subtly menacing. Much of the first hour is simply conversation between Reed and the missionaries, and yet it is superbly unsettling, hinting at the man’s craziness without going over the top. The latter half of the film is slightly less effective, visceral horror replacing the verbal dread, but it is still entertaining, and the film closes leaving the viewer with plenty of food for thought.7/10..